One of the fundamental basis of Chinese Medicine is Qì 氣. Qì (Pin Yin romanization, which is pronounced chee), has been described as “vital energy,” “vital force” or even “universal energy.” It’s sometimes spelled as Chi (Wade-Giles romanization), or Ki (Japanese spelling and pronunciation). In Chinese Medicine there are many different types of Qì, just to name a few: Yuán Qì (Original Qi), Zhēn Qì (True Qi), Yíng Qì (Nutritive Qi) and Wèi Qì (Defensive/ Protective Qi). Many blogposts ago, I wrote about Qì and what its Chinese character means, and many blogposts before that I wrote a little about Wèi Qì as well as how it is key to understanding allergies, such as Hay Fever.

But Wèi Qì is so much more complex than just allergies and immune system. The Chinese character for Wèi  衛  has a few parts: the first radical on the left 彳 chì means “step” and added together with the component on the right it becomes 行 xíng, meaning “to walk.” The middle character component, I recently learnt from a continuing education class, refers to “a guard” or “a man with leather armor.” All together they create “a guard who walks back and forth to protect.” Therefore, Wèi Qì refers to Qi that is always in motion to protect and defend when needed.

As a student in Chinese medical school, we learnt that people who caught colds and flus easily have a Wei Qi deficiency and that the Wei Qi is very connected to the Lung and Spleen Qi. So we would treat the appropriate Acupuncture points and give the famous herbal formula, Yù Píng Fēng Săn (Jade Wind Screen Powder). With the proper diagnosis and appropriate use of this formula, patients often got better within a month or so. One of my strategies during the COVID-19 pandemic was and still is to strengthen the Wei Qi. It can also manifest as bladder symptoms like chronic urinary tract infection UTI, which have often manifested in female patients, being exposed to cold external conditions. But through my practice and observation of different patients over the years, I have come to realize that Wei Qi deficiency is much more than catching colds or viruses easily, chronic UTIs and allergies. I started to realize that some patients would come in reporting how they felt “exposed” emotionally and physically, like they felt unprotected when they went out into the world. They would feel like they were being invaded by others energetically. I started to link this to Wei Qi deficiency and to treat them as such, often times it has worked. Also, by learning to set healthy boundaries in their lives, which is also a manifestation of Wei Qi, in my opinion, this has served to help them feel more secure within their beings.

As a student with my teachers in Tai Ji Quan/ Qi Gong/ Shao Lin Quan we learned to do some techniques of energetic practice they would call Iron Shirt Qi Gong. It is a martial arts method in which, as the name implies, one creates a layer like an iron shirt around the body, to protect against hits and attacks from opponents as well as to strengthen one’s body part to create an iron-hard effect with a punch or a hit. This reminded me of a movie which I watched in university in the 1990s, Iron and Silk, a true story of how Mark Salzman goes to China to teach English and learns Wu Shu, among other things. His master, Pan Qing Fu, is known as Iron Fist. Master Pan spent hours over decades punching a steel block; as such, his fists were as hard as iron. Though he has acted in films, this man’s skill was real, unlike a lot of Hollywood films (there is even one with this name but is not the real deal). This I believe is Wei Qi condensed into the fist. Iron Shirt Qi Gong could be used for martial purposes but I believe it is applicable to everyday life, not for assault but for protection. This, I have come to understand, is Wei Qi being activated with energetic practice.

The cultivation of Wei Qi has to come from many different aspects, not just physically but mentally as well as emotionally and energetically. It is something we need to work with our Bodyminds and not just on a material level. If there is anything that I am sure of, it is that many of the health issues of our time have a lot to do with our Wei Qi deficiency as individuals and as a society. It has been one of my aims to understand Wei Qi better. Even after years of study and practice of Chinese Medicine, I am finding even more depth to the subject. I am still on my journey of exploration into Wei Qi.




Image by PublicDomainPictures on Pixabay

A few years ago, my family and I went on a trip to Argentina. The first stop on our trip was Iguazu Falls, which lies between the countries of Argentina and Brazil. Iguazu Falls is the widest waterfall in the world with 275 waterfalls and islands. As we got there, there were obviously thousands of other people coming to see this river and its waterfalls; on this hot day butterflies were flying in the spring air, the waterfalls were thundering down and the emotions of the people were high. I had an insight in this moment. I realized that all us humans there were gathering at this place to see and feel the magnificent splendor of Water, Earth, Wood, Sky. We were essentially pilgrims on a journey to a holy spot, coming to pay reverence and be touched by the power of this place.

By definition, according to the American Heritage dictionary, a pilgrimage is “a journey to a sacred place or shrine” or “a long journey or search especially one of exalted purpose or moral significance.” Often times, pilgrimages have a religious connotation. In Europe, we know of the Camino de Santiago, the famous Christian pilgrim’s route to Santiago de Compostella in Spain. In the Middle East, Islam has the Hajj or Umrah as they travel to Mecca. Tibetan Buddhists pilgrims walk the Mount Kailash Kora. These days people of different walks-of-life follow these and many other routes even if they aren’t of these religious faiths and why not? Religion, at least in this age in the Western world, does not have the exclusive rights to dictate who and how people practice their spirituality or how they live their lives, unless these individuals allow themselves to be so commanded. I became aware of Frank Fahey’s attempt to distinguish between pilgrimage and tourism on Wikipedia. It is an interesting comparison but I get a sense it is a very one-sided one, as he assumes that religion is the know-all and end-all of anything spiritual. It is my belief that spirituality is a very personal experience as well as relationship to the Divine, whereas religion is the outward, socialized-system agreed upon by a collective body, to honor a specific Divinity. Ultimately, each individual has the right to choose who or what s/he believes to be Divine.

Personally, I have found that most places in the world where I have sensed the presence of the Divine have been in Nature, not often those made by human hands. I have been to oceans, mountains, deserts, and so many other environments, which have invoked in me a deep sense of awe and a feeling of reverence to the higher power(s) that have created this planet and universe.

One such place that my husband and I go to almost every year now for the past 14 years, like a pilgrimage, is Scuol in Canton Graubünden. This is where we hold our Tai Ji Quan/ Qi Gong Summer Retreat together with a colleague of ours from Eastern Switzerland. We have been coming here with our families, to practice and to spend time in the presence of what I sense as the Divine. In this area where Scuol lies - Earth, Sky, Water, Trees come together in a harmonious manner, rousing in me a sense of peace and acceptance. Acceptance that I may be small, compared to the greatness of the mountains and the wideness of the sky, but also that I am part of this matrix that binds all living beings and the Elements with the Universe. We practice Tai Ji Quan and Qi Gong to connect with each other, as well as with the Elements and the Divine. It is essentially our yearly pilgrimage to a place I hold sacred within and without. Come join us, if not this year then the next!

Tai Ji Quan/ Qi Gong Retreat in Scuol



Image by Elaine 

As I am sitting here writing, I look down at my feet and ankles. I am reminded how my body, and its parts have been shaped by life, as with all of us; what we have experience and done in our lives, how we were raised and where we have been, all shape every part of our bodies, whether we like to acknowledge it or not. Whenever I look down at my feet and ankles, physically I see the chronic swelling left behind from years of trying to fit into shoes that didn't fit. I might have mentioned it before, I grew up dancing classical ballet from the age of 5, at 12 started with rhythmic gymnastics, continued on with classical and contemporary dance till around 30, when I finally stopped dancing intensely. When I say, "shoes that didn't fit," I mean that physically and metaphorically.
 
I started pointe work, dancing on your toes, around 11. This process is no simple feat; basically, it is so unnatural for the feet that one has almost to start early enough in order to shape and create enough strength in the feet, as well as to get use to the discomfort of stuffing one's toes into uncomfortable shoes, but not too early in childhood or else growth will be stunted. I remember, how pain, blisters and blood were a normal occurrence during/ after pointe class, even if the shoes were fitted "right," which they almost always didn't feel like. Most ballet dancers have their own tactics to protect their toes. I had lamb's wool strands, which I would wrap my 2 lasts toes of each foot, pull my tights over them and put on my shoes. These helped but if something was off on that day, let's say the humidity in the air was high, too much moisture from sweat or class was at the end of the day, when my feet and toes would possibly be slightly bigger, then my toes would suffer; regular blisters with clear fluid, blood-filled blisters, bruised toenail beds, these are normal circumstances of dancers who do pointe. I still have toenails that will stop growing at some point and I have to rip off the nail so that the new nail can grow afresh, after almost 20 years  post-dancing. Sounds like war-wounds, doesn't it?  
 
What's more, ballet is so form-specific that you have to have the "correct" foot form, or even body form to be successful in it. To be brutally honest, I had the "wrong" body for ballet. I was not blessed by the ballet-gods with high-arched feet; the arch that I have comes from years of work. When I look in the mirror and extend my right foot, it looks like a dancer's foot, but not like a virtuoso ballet dancer. My left foot, through injuries, looks like a deformed, swollen mass of a foot, which sometimes calls out for my attention with pain. Pain, which I have no explanation for sometimes. Perhaps, it is remembering the trauma of being stuffed into shoes that didn't fit 25 years long. A form it did not or could not fit into and being made to do movements that it wasn't meant to do. However, this for me is not a curse but a blessing. My left foot, was and still is the body part that leads me to explore healing; healing of self and of others. It opens a door to the healing world for me. The first time I tried acupuncture was because this ankle asked to be taken care of. I became aware of a whole different world that exists, parallel to the physical world; the energetic one. This has led me to study Chinese Medicine and explore the world of (un)consciousness. 
 
The journey has only just begun. My ankle still talks to me, reminding me to stay open; learn new ways to sense things, try new methods of healing and wear shoes that give space as well as support my movement in life. Whenever I perform movement in Tai Ji Quan, Qi Gong or Yoga, I feel the boundaries my ankle sets for me in the physical realm, but these are healthy ones that I have learned not to exceed. It is like moving to the edge of a cliff and finding a safe spot to enjoy the view, among other things. I have learned to listen and do self-care for my ankle. Maybe I look silly wearing boots on a warm, sunny day but if my ankle tells me it feels well supported in it, I listen. It is one of my inner barometers, it confirms if the shoe fits from the inside, not how it looks from the outside. My ankle teaches me to wear the shoe that fits me well, not what fits others.    
 
        
 
 
 
Image by Pixabay on pexels.com

The scene is set. Two Tai Ji Quan players are about to engage in a fight. They stand facing each other, neither begins, neither moves. They wait for the other to begin the attack. They are standing still, yet nothing is static. Qi is flowing, they are both sensing the subtle changes of the other and the environment. Through sensing, comes awareness. A Tai Ji Quan player will have an edge over the other, if her/his ability to sense is more acute. The moment one begins an attack, s/he has begun a forward, outward motion of energy, transmitting her/his information of her/his energetic distribution to the opponent, who will then utilize this energy to a counterattack. As such, no Tai Ji Quan player would make the first move, unless s/he is sure that her/his Qi is stronger than the other. Check out this clip from the movie "Hero," from many years back. It is not of Tai Ji Quan but demonstrates what I am trying to describe very well.   
 
Tài Jí Qúan太極拳, sometimes written as Tai Chi Chuan (Wade-Giles romanization), translates as "Supreme Ultimate Fist." As you may have read in a previous post, Tai Ji Quan is a martial art with Chinese roots. It is estimated that 300 million people from at least 57 different countries practice Tai Ji Quan, making it one of the most practiced martial arts in the world. However, many have no idea that it a martial art, even those who practice it, as it has been transformed into a method of maintaining health or a form of dance. And why should it not be so? If something has the ability to adapt better in a changing environment over a period of time, then this adaptation will ensure its survival. This is something that has helped Tai Ji Quan to persist and thrive in the world, as people of all ages, children, adult and elderly practice this art with different emphasis and intentions set by its practitioner. Maybe it is even this skill to adapt to change, which is in itself a flexibility in being, that the Tai Ji Quan practitioner acquires through the practice of this art. One image my Tai Ji Quan teacher, Donald Rubbo, used to present was of bamboo. He described how bamboo is flexible and bends with the wind without breaking, as compared to rigid trees that may be strong but break due to the lack of flexibility under the strain of strong winds.  
 
Tai Ji Quan is considered an internal martial art, meaning that the energetic work is done inside the body, versus an external focus where emphasis is placed on external strength. It is based on Daoist philosophy and the principles of Yīn-Yáng, which many of us know as the diagram with the black and white 'fish;' white fish with black eye and black fish with white eye. Master Huang, master of Tai Ji Quan, calligraphy and dance, describes the philosophy of Tai Ji and Yin-Yang very well through movement as well as intellectually. One of the Daoist ideas that is key to Tai Ji Quan and Chinese Medicine is the principle that we, all living beings living in this world, are connections between Heaven and Earth; the sacred trinity. If we learn to be and stay connected constantly to this Heaven-Earth power, we are always filled with Qi; thus, we are able to conserve our own personal Qi and Jing (life Essence) to maintain life in our bodies. A manifestation of Yin-Yang is in the form of the elements Fire and Water: 
 
"Fire rises and water flows down. Water can put fire out when placed on top. This is reversing. It is a natural law that never changes. However, when the water flows down and you put your pot under it to stop it from reaching its extreme limit, the result is the boiling of water. This is called Yin-Yang reversal theory that allows one to make use of the natural laws. The T'ai Chi boxing system is based on this reversal theory, which is used in every aspect of the skill." (Kuo, Guttman, 1994, p.1)
 
Tai Ji Quan applies these philosophical principles into movement and through practicing these movements regularly, we begin to embody these principles in living our daily lives.
 
Going back to that first scene in which I described the two players; my teacher used to emphasize to us to 'play' Tai Ji Quan when we got too serious thinking and trying to make the correct form or application. We learned to move slowly but also quickly, when it was needed. In moving slow, one becomes aware of the subtle changes in weight distribution on the different aspects of the feet; thus aiding in balance training. Also, the awareness of the space around oneself, the elements in the environment and that a gentle flick of the finger, when one is connected to her/his Dān Tían, can move boulders. One aspect of Tai Ji Quan is form training, Tào Lù, where one performs the empty-hand or weapon form without contact, and if so it is choreographed. This is how many people practice Tai Ji Quan, especially if it is for health and it works on the basic form. Tùi Shǒu is Pushing Hands; this is the application of the form with contact to another practitioner but only to push the hand to uproot her/his stance, not to strike, punch or hurt. Another two aspects are the Nèi Gōng and Qī Gōng, which translate as "internal work" and "Qi work" respectively. These refer to breathing techniques, meditation, awareness training, meridian stretching as well as stillness practice. For me these are the most important aspects of the practice because they work on the unseen, deeper connections of the individual to Heaven-Earth and the clarity of mind to dis/engage in a confrontation. With stillness in body, the mind learns to become still but the Qi flows relentlessly.
 
 
 
Reference
Kuo Lien-Ying/ translated by Guttmann (1994): The T'ai Chi Boxing Chronicle. Berkeley, CA, USA: North Atlantic Books 
 
 
 
 
Image by Ron on Pixabay

The Chinese character for Centre or Middle is, 中 Zhōng in Mandarin. I recently looked up a Wiktionary etymology of this character and it describes 2 versions of this pictogram: one being a target, the rectangle box being shot through by an arrow, the second, derived possibly from a more ancient character as in the image above, being a flagpole with a drum being beaten by the wind, placed in the centre of a field to gather people together and to detect the direction of the wind. The meaning of this character, Zhōng, is either "middle" or "centre" or "to hit the centre" or "to attain."  

It is quite unknown to many that the name for the country China is not what Chinese people call their own country. They call their country Zhōng Guó,中國, meaning "Middle State" or "Middle Country." The modern mainland Chinese call their country Zhōng Huá Rén Mín Gòng Hé Guó, People's Republic of China. "China" was a name given to them by the Persians, or possibly ancient Indians and then adopted by the Europeans. There are many reasons that led to the people of China calling their country Zhōng Guó, which archaeological sources date back to the period known as the Warring States Period, ca. 471 to 221 BCE. But what has then occurred is that the medicine that we called Chinese Medicine, which is called in Mandarin Zhōng Yī,中醫, directly translates as "Middle Medicine." 

It only recently occurred to me that a "Medicine of the Middle" is about finding the Centre, which for me also refers to finding balance. This is true of Chinese Medicine, there is a focus in finding balance within the individual; the individual within her/his social-emotional, physical and spiritual environment. The concepts of Yin-Yang and the Five Phases/Elements, which are the basis of Chinese Medicine, are about balance. Over 10 years ago, I was in a course for Shonishin, Japanese Children's Acupuncture, with Dr. Thomas Wernicke. He got us to lay like babies, in order that we understand the perspective of the world that babies have. One of the important growth milestones for a baby is rolling, either from belly to back or reverse, which typically occurs between the 4th and 6th month in a healthy child. Before a baby can perform this, it must first find its midline, that means hands and feet, right and left must be able to connect with each other. Once they can perform this on a regular basis, the body will be able to tip sideways, and they begin their movement journey towards being upright. This was an illuminating moment for me. I became more aware of my own Centre as well as how important it is to be Centred in order to be alive and thriving. 
  
It has been a few years now since I began practicing Yoga. What has drawn me to practice it regularly in recent years has been the connection I sense with myself internally and externally as well as, what I perceive as a playfulness with my own body(-mind). After spending my early years of life till my 20s dancing on my feet and the next few decades practicing rooting through my feet-legs through Tai Ji Quan/Qi Gong, I find being upside-down on my head, arm and hands just fabulously exciting. My most recent goal is the Handstand; the description of Handstand is very deceiving as it not just about trying to stand on the hands. Through this process, I am evolving a new awareness of balance and my Centre, not just in the literal sense but also in my life. I am finding that balance is not a static place/event; it is a constant fluctuation between stillness and movement. Some days I achieve balance on my hands for 3 seconds and another for just a milli-second. I receive minute information from different body parts like the base of my hand or my phalanges (the bones of my fingers) on where my balance is. I find that I am in constant "conversation" with my body and its different parts. It brings me into the here-and-now, because if for one split second of handstanding I lose my focus, I may fall painfully on my head. I accept all these gratefully as I know deep inside me, a cauldron of deep knowing is in the brewing.
 
As we just passed the Autumn Equinox (time of equal day and night) last week, I had the feeling that balance is being called for. We can all definitely find a little more balance in our lives and what better way than to become aware of our Centres. Take a moment of quietness and stillness in either standing, sitting or lying. Become aware of your body in space. Then, ask yourself, "Where is my Centre?" and just listen to your body answering.
 
 
 
Image Headstand by Aron H.
Image Zhōng Bronz Inscription and Silk Script from Wiktionary
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                                                                                Dao De Jing, Chapter 11 by Lao Zi
 
In Chinese philosophy and Qi Gong there is a concept of Wu Ji, which can be translated as "The Great Nothingness" or "The Supreme Emptiness." You may often see a Chinese/Japanese calligraphy of a circle, like the one above, this is Wu Ji. This calligraphy hangs on our wall at ICM in the space where we practice Qi Gong/Tai Ji Quan/Yoga. On a few occasions, as I was practicing with students, I began explaining this concept of Wu Ji and only through my explaining this profound subject have I begun to see a fragment of the larger picture that the ancient philosophers were referring to. 
 
As we look at the image above, we see the black ink of the circle but what of the space inside of the circle? That is Wu Ji. It embodies that Great Emptiness. It is both space and time. One of the insights to Wu Ji came to me one day as I was attempting to explain it as I was teaching. I realized as I looked at the image that Wu Ji is "filled emptiness"; the circle may be empty but it is not deflated. 
 
I recall my teacher, Shi Fu Donald leading us in meditation many years ago. He led us to that moment/place before Yin and Yang, before the "I" becomes. It was a very profound moment for me; I was pondering what would be before Yin and Yang, a sense of wonder manifested in me. All through our training in Qi Gong/Tai Ji Quan, we first find Wu Ji and then begins movement, physical or energetic. It has come to me that Wu Ji is "before the beginning." It is even a specific position in sitting or standing, as well as a moment, space or state before we begin a practice. Shi Fu Donald also taught us a Qi Gong form called Wu Ji Qi Gong or Primordial Qi Gong. 
 
When we read the Chapter of the Dao De Jing (Pin-Yin for Tao Te Ching) above, this is what Lao Zi is trying to convey to us. He is trying to show us that the space in the middle of the wheel, the emptiness in the cup, the space in the house and non-being is what creates us as well as our reality. Lao Zi was a famous Chinese philosopher who lived around the 6th century BCE. He is said to have founded Daoism and wrote the Dao De Jing, which has 81 chapters written in verses like the one above, each barely filling a page. It is, after the bible, the second most translated text in the world. As with many things in life, "less is more."
 
Next time you look at your hand, look into the spaces between your fingers. Your hand exists because the spaces between your fingers exist. This time of winter invites us to look into the spaces in between. There are very few leaves on the trees but there is more space between the branches. Just as we can give ourselves more time and space in our lives between appointments or work to find Wu Ji in our everyday.
 
 
Reference
Lao-Tzu, translated by Stephen Mitchell (2011): Tao Te Ching - The Book of the Way. London: Kyle Books.
 
 
 
Image Wu Ji by Elaine 

As we go through the seasons of the year and I observe the changes of the climate, it reminds me of the Wu Xing or 5-Elements or 5-Phases. This philosophy is not just a Chinese medical theory but one that was/ is observed in all areas of life, as with the Yin-Yang philosophy. The 5-Element philosophy is very old. Historical records display writings and observances of it since the start of the Han Dynasty in 206 BCE, but the ideas of this philosophy are much older.
 
I am impressed by how so many, if not all areas of our lives are influenced by the 5-Elements; whether it be seasons of the year, cooking food, making medicine, breathing techniques or making day-to-day objects/ crafts that we use in our lives. There are traditions all around East-Asia (i.e. China, Taiwan, Japan, Korea) where the 5-Element philosophy is part of normal, daily life. As I contemplate the element that we are experiencing at the moment, the Metal element, I can't help being reminded of the skilled Bladesmith, one who works with Metal to create tools/ weapons. The Japanese are famous for making the best knives and swords in the world. The Katana, the Japanese long sword, is most celebrated for its artistry as well as its sharpness and ferocity. It is a blade so fine and flexible but so resilient, in the hands of a skilled swordsman (or woman), you would be unaware of its cut until it is done. You can tell how many martial arts movies I have watched growing up in Asia. What fascinates me most is not the end product, the sword, itself but the process in which it is made; how the 5-Elements are present in the process to transform raw Metal into a tool, an art form. The Metal is put into Fire to be smelted, then comes the process of the forging, which involves more Fire, Water, Earth and of course to begin with there was Wood for Fire. In the process to create this tool, the 5 Elements were going through the generating and controlling cycles, all in movement towards a creation and transformation guided by the human hand/ mind.
 
I feel this often when I practice Qi Gong, Tai Ji Quan or Yoga. I sense the Elements in me, helping me transform my body, my mind, my being to connect/reconnect within and without. What then manifests outwardly is simply a product of the process, there is no product without the process. So if I perform a headstand, it is a coming together of the elements within and around me to find an inward balance, which then manifest as me balancing on my head in the physical realm. 
 
Another of the Breath practice that I have gathered on my journey is the 5-Element Breath Sounds. It is a practice that involves the exhalation as a sound. Many of us make sounds quite instinctively, in the form of a sigh or a groan. This practice is a conscious manifestation of Breath to balance the organs and elements. Practice the sounds like it is listed from above to below, as this is the generation cycle. You may notice that the Fire element comes twice. There are reasons for this that I won't get into in this post. Do try the breath sounds and sense how they affect you! 
 
 
 
 

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5-Element Breath Sounds

Element   WOOD 
Organ       Liver
Sound       Sheeee 
Element    FIRE                        
Organ       Heart                     
Sound       Haaaa                               
Element   EARTH
​Organ       Spleen
Sound       Hoooo
Element   METAL
​Organ       Lung
Sound       Tssss 
Element    WATER
​Organ        Kidneys
Sound        Huuuu
Element     FIRE
​Organ        Triple Burner
Sound        Heeee


Image Smith by Dirk Hoenes from Pixabay
Image 5-Element Sheng Cycle by Elaine

​When you look at a baby calmly sleeping, you will observe how her/his breath is deep and concentrated in the belly. When we come into the world, we are physically connected to our mothers through the umbilical cord at our navels on our abdomen. About 5 weeks after conception, the umbilical cord begins forming and connects the embryo to the placenta and its mother, to received nutrients, water and oxygen, as well as to excrete waste. This continues on until that moment the cord is cut after birth. At this point in time, the child becomes its own being in itself and must begin its own respiration. When a child is calm, we will see that it breaths deep into the abdomen. However, life happens; stressors occur throughout our childhood into adulthood and we begin to forget that place in the abdomen where we were/are connected to life, if we are unaware. Then, we begin to breathe more superficially, moving the chest in order to receive more air but this does not nourish us in the long-term. In fact, it creates tight muscles and can trigger the sympathetic nervous system into the "fight-or-flight" stress mode. 
 
Many traditions of the world have specific methods of breathing in order to support health or even to attain deep connection to the divine. One of these methods I have found to be very helpful and is almost universal to many traditions is "Diaphragmatic Breathing," "Abdominal Breathing" or as we in the Chinese medical tradition call "Natural Breathing." In the Chinese Qi Gong tradition, the main focus of this breath is the Lower Dan Tian (lower energy centre) in the area below the navel. We breathe deeply into the lower abdomen, allowing it to expand and contract freely as inhalation and exhalation occurs. This increases oxygen intake, increases circulation in the abdominal muscles, provides a massage for the internal organs and calms the entire body-mind, activating the parasympathetic nervous system.

Can you imagine how life would be if we were in a continuous state of calm? How would we make decisions? How would we interact or react to one another? How would we live life? Obviously, it is unrealistic to expect that we can always be in this state, as we do need a certain amount of "stress" to grow and develop physically, mentally and spiritually. But the longer we can stay in this state, the healthier it is for our minds and bodies, as well as for the people/environment around us. The aim of Natural Breathing is for us to return to what we once knew but perhaps forgot. It is innate to us and it just takes practice to remind our bodies-minds of something it already knows. If you keep a practice of 5-minutes daily for a year, your body will remember it for the rest of your life.
 
Personally, I practice this breathing technique almost all the time now for more than 20 years. It did not feel natural at first but with constant practice and patience it has become intuitive. When I am relaxed or stressed, I instinctively practice Natural Breathing. I consciously breathe this way when I get my blood pressure measured (which most times has a normal reading) or when I go to the dentist or when I have to do a test. I practice this way of breathing almost every night before I go to sleep, placing my hands on my abdomen, just focusing on the rising and falling of my breath as well as my abdomen till I fall asleep.  
 
Below is a step-by-step guide to Natural Breath. Happy Breathing! :-)



  Natural Breathing

1. Find a comfortable position in lying, sitting or standing. Place both hands on your lower abdomen by your navel (like in diagram below).
2. Begin by inhaling and exhaling into your abdomen. Observe if the abdomen rises and falls with the breath. If it does not, begin to sink the breath into the abdomen.
3. Imagine your abdomen as a balloon, when you inhale, you are blowing air into the balloon enlarging it, and when you exhale the balloon is shrinking. In the beginning, this may feel forced or unnatural. Be patient and keep practicing, it will become natural when you practice it regularly for some time.
4. Inhale and exhale only through the nostrils, expanding and contracting your abdomen respectively.
5. Begin to slow down the breath, keeping a regular and an equal rhythm of inhalation and exhalation.
6. If you have never done this before, begin by performing 10 breaths at least once a day. After a week of regular practice, begin extending it by increments of 5 and stay with this for another week before increasing the increments.
7. You may practice this as often as you like in a day and even at night.
8. Side-effects include digestive rumblings in the abdomen (stimulation of your natural digestive functions), calmness, relaxation, feeling well and healthy.

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​​Image Baby from esudroff on Pixabay
Image Abdomen from Eduardo RS from Pixabay